COIL ‘s “Where are you?” along to “San male balerine” (1954) dir. Branko Bauer 

Where are you?
Are you hiding from me?
Are you still looking for things that no-one else can see?

Where are you?
Are you in some place that we cannot reach?
Are you bathing in moonlight or drowned on the beach?

Where are you?
Are you surrounded by things we cannot penetrate?
Is the cage you love the home you also hate?

Your fear of death attracts such strange objects
Smothering you, hiding you, don’t let it spoil you
Show yourself so the others may see you
So the others may feed you
They want to be near you

If you can’t get enough of your hypnotic injection
Then it’s time to put an end to this invalid function
Poor little ghost boy
Let me be your human toy

Where are you?
No-one’s seen you for years
Have your wounds grown wings? Are you feasting on fears?
I can see your dark corona is eating into you
You’re surrounded by things we cannot penetrate
Is the cage you love the home you also hate?
Life lies with the scissors inside her
The surgeon was a butcher
All of us are wounded, anesthetized in A.E.
Numbed by stuff we should not see
Each of us lies bleeding
Our rivers intermingling
Poor little ghost boy
Let me be your human toy

I’ll wrap my last kiss in a bandage
I’ll wrap my last kiss in a bandage
I’ll wrap my last kiss in a bandage
I’ll wrap my last kiss in a bandage

vintageimagecollection:

Multicolored light. My objective of overlapping a combination of colored lights on a white arrangement of fresh material was accomplished by following Faber Birren’s instructions. Three 150-watt stained-glass (150 PAR 38/SP/6G green, 150 PAR 38/SP/6B blue, 150 PAR 38/SP/6R red) in swivel sockets were spaced 7 to 8 inches apart, center on center. Shining them on the white arrangement against a white background produced brilliant shadows in red, yellow, and turquoise.

The Complete Flower Arranger, 1974